Hexagram 17: Following
Sui · 隨
The Judgment
Supreme success. Perseverance furthers. No blame. To gain followers, first learn to follow. To lead, first serve. Only by adapting to others do you earn their joyful support.
The Image
Thunder in the middle of the lake—energy resting within stillness. At nightfall, go indoors for rest. The wise person knows when to stop pushing and allow recovery. Following the natural rhythm.
「澤中有雷,隨。君子以嚮晦入宴息。」雷藏在湖底,是冬天的雷,休息中的雷。天黑了就該回家。這道理簡單到有點可笑——但多少人捨不得停下來?適應節奏,不是懶惰,是一種清醒。
The Six Lines
Standards change. Perseverance brings good fortune. Going out and engaging with others yields results. Something shifts in the rules; stay true to principle while adapting to the change.
If you cling to the small child, you lose the strong man. Attachment to the lesser means forfeiting the greater. Choose carefully what you follow.
If you cling to the strong man, you lose the small child. Following has gains—but always costs. What you seek, you find. Settle into what you've chosen.
Following brings gain. Perseverance brings misfortune. But if you remain sincere and clear about your path—what blame? Success through following can corrupt if you lose your own direction.
Sincere in the excellent. Good fortune. When your allegiance aligns with what's genuinely good, fortune follows naturally.
Bound and tied, then truly committed. The king makes offerings at Western Mountain. The deepest following requires being held fast first—then the connection becomes sacred.
Artwork & Treatise

The Dance Class
Edgar Degas, 1874
In a Paris Opera rehearsal room, young dancers position themselves before their ballet master. Edgar Degas painted this scene in 1874, capturing the moment when students adjust their posture, waiting for correction. The elderly instructor leans on his staff, observing. One dancer practices at the barre while others rest or stretch—bodies learning to replicate movements demonstrated again and again.
This is Suí (隨), Following. The hexagram shows Lake (Duì) above Thunder (Zhèn)—joyful expression resting over arousing movement. In Zhou Dynasty divination practice, this configuration appeared when someone needed to align themselves with a teacher, a seasonal change, or a larger pattern already in motion. The lake follows the contours of the land beneath it; thunder's energy moves through the dancer's body as learned form. Following here means adaptation, not submission—the way water follows gravity while remaining itself.
{artwork_reasoning}
The Judgment text addresses the rehearsal room directly: "Following has supreme success. Perseverance furthers. No blame." The dancers follow their master's instruction because they seek what he possesses—technique refined over decades. But the text adds a condition: following must be voluntary and have direction. Ancient diviners understood that proper following requires discernment about whom or what to follow. The ballet master earned his authority through mastery; the students choose to follow because they recognize authentic skill.
The Image Text observes: "Thunder in the middle of the lake: the image of Following. Thus the superior man at nightfall goes indoors for rest and recuperation." Even committed following has natural limits—night follows day, rest follows exertion. Degas painted dancers at practice, not performance, showing the private work of alignment that happens away from the public eye. In the I-Ching's sequence, Following comes after Enthusiasm: after the initial excitement of beginning, the student settles into the patient repetition that builds skill. The next hexagram is Work on What Has Been Spoiled—when following becomes mere imitation without understanding, corruption enters.
Yilin Verse
鳥鳴東西,迎其群侶;不得自專,空返獨還。
Jiao Yanshou's Forest of Changes (焦氏易林) — Unchanging verse for 隨 (Suí)
Character-by-Character Breakdown
Classical Chinese text with pinyin and English meanings