Hexagram 58: The Joyous

Dui ·

Upper: Lake
Lower: Lake

The Judgment

Success. Persistence is favorable. True joy rests on firmness and strength within, manifesting outwardly as yielding and gentle. Joy must be based on steadfastness if it is not to degenerate into uncontrolled mirth. Truth and strength must dwell in the heart, while gentleness reveals itself in social intercourse. Intimidation without gentleness may achieve something momentarily, but not for all time. When hearts are won by friendliness, people willingly take all hardships upon themselves.

The Image

Lakes resting one on the other. Join with friends for discussion and practice. A lake evaporates upward and gradually dries up; but when two lakes are joined they do not dry up so readily, for one replenishes the other. In the field of knowledge, it becomes a refreshing and vitalizing force only through stimulating intercourse with congenial friends. In this way learning becomes many-sided and takes on cheerful lightness, whereas there is always something ponderous and one-sided about the learning of the self-taught.

「麗澤,兌。」兩個湖泊相連,彼此補充,不容易乾涸。君子用這個道理來與朋友討論學習。獨學而無友,則孤陋而寡聞——這話說得對。知識需要交流才會活起來。一個人悶著頭學,往往只學到一半。

The Six Lines

Initial Line

Contented joyousness. Good fortune. A quiet, wordless, self-contained joy, desiring nothing from without and resting content with everything, remains free of all egotistic likes and dislikes. In this freedom lies good fortune—the quiet security of a heart fortified within itself.

Second Line

Sincere joyousness. Good fortune. Remorse disappears. We often find ourselves associating with inferior people in whose company we are tempted by inappropriate pleasures. But if you do not permit your will to swerve, not even dubious companions will venture to proffer base pleasures. Thus every cause for regret is removed.

Third Line

Coming joyousness. Misfortune. True joy must spring from within. But if one is empty within and wholly given over to the world, idle pleasures stream in from without. Those who lack inner stability and therefore need amusement will always find opportunity for indulgence. They attract external pleasures by the emptiness of their natures. Thus they lose themselves more and more.

Fourth Line

Joyousness that is weighed is not at peace. After ridding himself of mistakes, a person has joy. Often one weighs the choice between higher and lower pleasures. As long as the decision is not made, there is no inner peace. Only when you clearly recognize that passion brings suffering can you turn away from lower pleasures and strive for higher. Once this decision is sealed, you find true joy and peace.

Fifth Line

Sincerity toward disintegrating influences is dangerous. Dangerous elements approach even the best of people. If you permit yourself to have anything to do with them, their disintegrating influence acts slowly but surely, bringing inevitable dangers. But if you recognize the situation and comprehend the danger, you know how to protect yourself and remain unharmed.

Top Line

Seductive joyousness. A vain nature invites diverting pleasures. If unstable within, the pleasures of the world have so powerful an influence that you are swept along by them. Here it is no longer a question of good fortune or misfortune. You have given up direction of your own life, and what becomes of you depends upon chance and external influences.

Artwork & Treatise

The Lacemaker by Johannes Vermeer — Hexagram 58

The Lacemaker

Johannes Vermeer, c. 1669-1670

A young woman bends over bobbins and thread, her universe contracting to the work beneath her fingers. Johannes Vermeer painted this scene around 1669, his smallest canvas—nine inches tall. The lacemaker's focus remains absolute, her hands frozen mid-gesture as colored threads blur into abstract dabs of paint. Light falls from the left, illuminating delicate labor that transforms thread into pattern through meticulous repetition.

She embodies what the I-Ching describes as Dui (兌), the doubled Lake trigram—joy arising from within rather than imposed from without. Lake above, lake below: the youngest daughter in both positions, openness meeting openness, reflection multiplying reflection. The character 兌 combines elements suggesting speaking and exchange, but here the exchange occurs between concentration and satisfaction. Vermeer shows no grand celebration, no external stimulus for pleasure—just absorbed engagement with skilled work. Song Dynasty diviners saw this configuration in contexts of teaching, conversation, and activities where responsive interaction produces mutual contentment.

{artwork_reasoning}

The Judgment addresses the lacemaker's quiet absorption: "The Joyous. Success. Perseverance is favorable." Her satisfaction stems not from completed lace but from the process itself, each movement bringing its own completion. In divination practice, Dui appeared when questions concerned communication, commerce, or situations where open exchange creates shared benefit. The doubled lake structure suggests that genuine joy cannot exist in isolation—like water reflecting sky, delight multiplies when it finds response.

The Image Text clarifies what Vermeer captures: "Lakes resting one on the other: the image of the Joyous. Thus the superior one joins with friends for discussion and practice." The lacemaker works alone in Vermeer's frame, yet her craft connects her to generations of practitioners, to the person who will wear this lace, to the tradition of skilled making. In the I-Ching sequence, Dui follows Xun's gentle penetration—after patient influence comes the joy of responsive connection, the satisfaction when careful work meets receptive appreciation.

Yilin Verse

班馬還師,以息勞疲。後夫嘉喜,入戶見妻。

Jiao Yanshou's Forest of Changes (焦氏易林) — Unchanging verse for (Dui)

Character-by-Character Breakdown

Classical Chinese text with pinyin and English meanings

Related Topics